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Mrs. Newman smiled knowingly; she was familiar with his type, here to-day and gone to-morrow, with falling in love a convenient habit to give zest to the round of vaudeville performances. Mr. Zalhambra caught her smile of incredulity and murmured, “This time it is really fatal.” “Mary Ellen Smith; but my mama calls me May Nell; and she says—she says ‘kid’ is vulgar.” The last words were very shy. Billy went to the door and looked after them. No one was in sight. Harold, the twins, and May Nell, too, were gone. What could it mean? He looked back at the clock. Nearly ten. Usually the Gang gathered earlier than this, hung around and hurried him with his work, many putting in lusty strokes, that Billy, the favorite, might the sooner be released. But now even Jean, his stanch second in all the fun going, was late. He had expected to be late himself; he always was. But he, who planned most of the sport in spite of doing more work than any of them, had this day expected his schemes to be well launched before he could join in them..

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“Now hold his head between your hands and tell him not to touch me.” “Take her in,” Billy gasped. “They stole her; they’re after—save her—hurry—” He could say no more, but suddenly collapsed and sank to the ground; and the last sight he remembered was the dark Italian at the house corner, talking fast, with one hand in a sling, the other waving a knife threateningly. Zalhambra was a vaudeville artist. His was the star act on each bill. He was undeniably a genius; it needed but a few bars of fortissimo plus crescendo to realize that he was a virtuoso of the first rank. When he played a Rag the audience shouted with delight; but when he sprinkled torrential cadenzas through the dizzying syncopation, like some mighty giant tossing meteors into a handful of fire-crackers, something like an electric shock stirred his hearers. “Said so, but they’re late. We’ve got an addition, the little earthquake girl.” This last was a sibilant aside..